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Chappaquiddick (2017)

In Johannesburg, the police department reduced the high rating of criminality using robots from the Tetravaal Company, designed by the engineer Deon Wilson. The former military Vincent Moore is envious of Deon, since he has developed another project called Moose, but neither Tetravaal nor the police department is interested. Deon has just developed an Artificial Intelligence but the Tetravaal's CEO Michelle Bradley asks him to abort the project. Deon decides to bring the damaged Robot 22 that was sent to be crushed to test his A.I. However he is kidnapped by the criminals Ninja, Yo-Landi and Amerika that want him to stop the robot cops. When they see the damaged robot in the van, they force Deon to program it to heist banks with them and they call it Chappie. However, Chappie acts like a child and need to be trained to learn and grow. Meanwhile Vincent follows Deon and plots an evil scheme to activate his robot.

Based on the novel by Todd Rigney, "Found" centers around Marty, a shy, bullied fifth-grader who takes refuge in horror films... until his life turns into one. After finding a human head in his brother's closet, Marty fears for the safety of his family while making a desperate effort to reconnect with Steve, the big brother whose homicidal cravings threaten to destroy life as Marty knows it.

A couple of days before 1899 Christmas, the Oxford new graduate Dr. Edward Newgate arrives at the Stonehearst Asylum to complete training for his specialty of asylum medicine. He is met by armed men who take him to Dr. Silas Lamb, who welcomes his help and takes him under his wing. Edward is shocked to see the methods that Dr Lamb uses to run this asylum. He becomes infatuated with Eliza Graves, one of the patients who is a lady of status and does not seem to belong. One night, Edward overhears a knocking from the bowels of the facility and is shocked to find that everything is not as it seems in this place and that his uneasy feelings may be justified. What will Edward Choose?

Before the United States enters World War I, some American youths volunteer for the French military. Subsequently, they become the first U.S. fighter pilots and form a squadron known as the Lafayette Escadrille, whose exploits and heroism become the stuff of legend. This fictional version follows a laconic Texas rancher, an eager Nebraska kid, a Black boxer already in France, and a New York swell, as they arrive green for training, get their baptism by fire when German planes ambush them on their first mission, and graduate to heroics. Rawlings, the Texan, falls in love with a young woman he meets at a bordel.

A new Disc Jockey is shipped from Crete to Vietnam to bring humor to Armed Forces Radio. He turns the studio on its ear and becomes wildly popular with the troops but runs afoul of the middle management who think he isn't G.I. enough. While he is off the air, he tries to meet Vietnamese especially girls, and begins to have brushes with the real war that never appears on the radio.

It's 1946 in Hell's Kitchen in New York City. Cosmo Carboni, the eldest of the three Carboni brothers, is lamenting what he sees as them not living up to their potential. Big talking Cosmo hustles and panhandles for money. Brooding Lenny Carboni, an injured veteran whose sullen attitude stems from his time in the war, is an undertaker. And youngest Victor Carboni, the simple muscle-man who wouldn't hurt a fly unless he's annoyed, is an iceman. Victor looks to Lenny and his Chinese-American girlfriend Susan Chow as his voices of reason. After Victor holds his own against wrestler Frankie the Thumper in an arm wrestling match, Frankie who is seen as the strongest man in the neighborhood, and after seeing the lucrative wrestling matches - which are more like street fights without rules - at the underground nightclub called Paradise Alley, Cosmo gets it into his head that wrestling may be Victor's calling and a way for them all to get out of Hell's Kitchen for good. The brothers would act...

Corporate salesman Steve Butler (Damon) arrives in a rural town with his sales partner, Sue Thomason (McDormand). With the town having been hit hard by the economic decline of recent years, the two outsiders see the local citizens as likely to accept their company's offer, for drilling rights to their properties, as much-needed relief. What seems like an easy job for the duo becomes complicated by the objection of a respected schoolteacher (Holbrook) with support from a grassroots campaign led by another man (Krasinski) who counters Steve both personally and professionally.

Mr. Turner explores the last quarter century of the great if eccentric British painter J.M.W. Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.

Amy, her husband James and their baby Sarah travel to Mexico to sail in the yacht of their reckless friend Dan with their common friends Zach and Lauren and celebrate the thirtieth birthday of Zach. They are introduced to Dan's girlfriend Michelle and they drink and recall moments of their past while navigating. Miles away from the shore, Michelle suggest to stop the yacht and swim in the calm water. Amy stays in the boat since she has a childhood trauma with ocean and Dan stays with her. Later, the irresponsible Dan pushes Amy overboard, falling with her in a prank. Once in the water, the group realizes that Dan forgot to put the embarkation ladder and the freeboard makes impossible to climb to the main deck of the yacht. With the baby alone in the boat and stranded in the open sea, they panic and their desperation lead them to a tragic fight for survival.

We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else?