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The Immortal (2019)

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

Nick hates his boss, mostly because he's expected to work from before sunrise to after sunset and his boss, Mr. Harken, calls him out for being a minute late and blackmails him so he can't quit. Dale hates his boss, Dr. Julia Harris, because she makes unwelcome sexual advances when he's about to get married. But Dale is on that pesky list of child offenders so he can't quit. Kurt actually likes his job and his boss, well, up until his boss dies and the boss's coked-out, psychopathic son takes over. But who would be crazy enough to quit their jobs in such poor economic times? Instead Nick, Dale and Kurt drunkenly and hypothetically discuss how to kill their bosses, and before they know it, they've hired a murder consultant to help them pull off the three deeds.

Ray Breslin is the world's foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He's framed and incarcerated in a master prison he designed himself. He needs to escape and find the person who put him behind bars.

Matt Scudder is a former cop now a private eye. He is asked by a drug dealer to find the men who kidnapped his wife. It seems like they killed her even after he paid them. Scudder refuses. But the man later goes to see him and tells him how his wife was killed. Scudder takes the job. He does some research and thinks the men he is looking for have done this more than once. And that everyone they grabbed is connected to a drug dealer. He was about to give up when they grab another girl and Scudder tries make sure she's returned alive.

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick's wife is unhappy he's back on the street, Henry's protective of the dead cop's wife. Nick reads and re-reads the case file, broods, watches Oak's heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know?

Nicky Spurgeon is an extremely accomplished con man who takes an amateur con artist, Jess, under his wing. Nicky and Jess become romantically involved, and with Nicky's profession of being a liar and a cheater for a living, he realizes that deception and love are things that don't go together. They split, only to see each other three years later... And things get messy.

On her first day of the job, brand new Internal Affairs detective, Jessica Dawson (Mena Suvari), gets caught up in the aftermath of a violent drug bust that includes an officer shooting of an innocent young teenager. The facts, as reported by the two narcotic detectives, just don't seem to add up. As she struggles to find the truth, the ramifications of a single lie reverberate throughout the whole precinct. Soon she finds she can't trust anyone, including the precinct captain (Martin Sheen). In this gritty crime thriller that could be ripped from today's headlines, it's cop vs. cop in a deadly fight for honor.

Captured international assassins are locked up inside a high-tech bunker known as the Killing Chamber. To break out of this concrete hell they must duel each other, fight deadly ninjas and battle against gangs of masked maniacs. And... if they survive this, they will have to confront Snakehead: the lethal, deranged top dog who will stop at nothing to kill 'em all!

In Bridgeport, Connecticut, Detective David 'Cal' Callahan is a family man, married to Alexandra with a teenage daughter, Lanie. Cal has an unscrupulous past, drug and alcohol addicted, and he was reborn when he was shot by a drug dealer and saved by a stranger. When a stranger meets Cal in a bar, he tells Cal that he was the one who saved him and gives the journal of his deceased daughter to Cal. He tells Cal that she committed suicide after she was beaten up and raped by Angel, a regular at the night-club where she danced, owned by the drug dealer Royce Walker. Cal investigates Angel and when he sees the man in his car in front of the school where Lanie studies, he believes that Angel is a pedophile and Cal decides to take action. But he finds that he is a marionette and someone is pulling the strings and watching him dance.